Top Movies of All Time: Top 100 Films

Godzilla Minus One

Godzilla Minus One earned awards for visual effects. Unfortunately, the rest of the mov Writing, casting and production up several levels writing, casting and production up several levels, Godzilla Minus One made no such choices.

The Godzilla story is more or less consistent with other Godzilla stories. That's not the problem. The problem is that it's also consistent with poor acting, poor dubbing, and poor script writing. The music is a missed opportunity, as it is just generic insipid classical movie music. Classical movie music can be great, when we consider movies like The Good, the Bad and the Ugly, Star Wars, and so forth. Instead, they phoned it in.

Meanwhile, the visual effects are overstated. That Godzilla Minus One won an award for them is a mistake. It is nothing more than a modern version of a 1950s B-movie.

It's the kind of iconic movie which deserves to be elevated.

Hollywood: if you see this, consider the above. Think of a way to make this movie great.

On Netflix

Sextuplets on Netflix

Unexpectedly funny.

When expecting father Alan (Marlon Wayans) discovers he has five siblings he's never met before, he decides to reconcile and meet his long lost family before his baby is born.

#23 The Grapes of Wrath

The Grapes of Wrath
Amazon.com essential video
Ranking No. 21 on the American Film Institute's list of the 100 greatest American films, this 1940 classic is a bit dated in its noble sentimentality, but it remains a luminous example of Hollywood classicism from the peerless director of mythic Americana, John Ford. Adapted by Nunnally Johnson from John Steinbeck's classic novel, the film tells a simple story about Oklahoma farmers leaving the depression-era dustbowl for the promised land of California, but it's the story's emotional resonance and theme of human perseverance that makes the movie so richly and timelessly rewarding. It's all about the humble Joad family's cross-country trek to escape the economic devastation of their ruined farmland, beginning when Tom Joad (Henry Fonda) returns from a four-year prison term to discover that his family home is empty. He's reunited with his family just as they're setting out for the westbound journey, and thus begins an odyssey of saddening losses and strengthening hopes. As Ma Joad, Oscar-winner Jane Darwell is the embodiment of one of America's greatest social tragedies and the "Okie" spirit of pressing forward against all odds (as she says, "because we're the people"). A documentary-styled production for which Ford and cinematographer Gregg Toland demanded painstaking authenticity, The Grapes of Wrath is much more than a classy, old-fashioned history lesson. With dialogue and scenes that rank among the most moving and memorable ever filmed, it's a classic among classics--simply put, one of the finest films ever made. --Jeff Shannon

Product Description
This remarkable film version of Steinbeck?s novel was nominated for seven Academy Awards®, including for Best Picture, Actor (Henry Fonda), Film Editing, Sound and Writing. John Ford won the Best Director Oscar® and actress Jane Darwell won Best Actress for her portrayal of Ma Joad, the matriarch of the struggling migrant farmer family. Following a prison term he served for manslaughter, Tom Joad returns to find his family homestead overwhelmed by weather and the greed of the banking industry. With little work potential on the horizon of the Oklahoma dust bowls, the entire family packs up and heads for the promised land ? California. But the arduous trip and harsh living conditions they encounter offer little hope, and family unity proves as daunting a challenge as any other they face.

Thor Movie Review - May 5, 2011

I caught Thor, the Movie, tonight at the ICON Theater on Roosevelt Rd. in downtown Chicago. I was caught by surprise that it was 3D.

The technical stuff:
The 3D, in general, was slightly blurry. My seats were slighty off from the center, but big budgets movies need to get this right. Thor did not.

The CGI and related animation was often amazing, occasionally disappointing. The bridge (Thor readers know what I mean) connecting Asgard and Earth, was like a bad disco floor against a backdrop that was busy with flashing lights. That's not only a technical problem, but also, poor design. While a rainbow bridge might have felt a little too "Smurfy," work is still needed. Maybe the issue will be resolved by the time the Avengers movie is released.

Plot
The gist is Thor is about to be crowned king in a lavish ceremony. His rock star attitude is tolerate because he is basically a decent guy. It is disrupted by the Frost Giants. Loki convinces Thor to wage war against the wishes of Odin, and they, with a few others, go to kick some icycle tail.

It gets seriously out of hand, and Odin banishes Thor to Earth. His hammer, the Mjolnir, is sent too, but only a man of Authurian purity can pick it up. Thor's no longer fit to do it, nor can any of the humans who try. The sword, so to speak, stays in the stone.

Meanwhile, Loki is provocating war in Asgard with the Frost Giants, claiming Odin is dead (he's not), and ascending to the throne.

What happens next is why the movies matters.

Overall, it works. In short, like Iron Man, Thor is a story of a powerful person let their arrogance cause havoc. He realizes it, is humbled, and uses his powers for good. Simple as that, and, on this level, it works.

Weaknesses are in how they push the plot. For example: The romantic subplot is incomplete. Thor falls for Jane too deeply, too quickly. She's too easily accepting that he's a god.

Loki's intentions go from sneaky, to evil, to confusing. I left the theater with no idea what he was trying to accomplish.

It, more or less, follows the key Marvel comic book line. I won't go through the differences as the most not only needs to stand on its own, but comic are so often retconned (Retroactive continuity) to work in another era or media, it isn't worth deliberating.

Casting
Chris Hemsworth as Thor - Completely Thor. Superhero films has suffered from brilliant and horrible casting (Brandon Routh as an effeminate, unmasculine Clark Kent/Superman was the worst). Not here. Hemsworth fit the suit, the attitude. He's sexy without being raunchy, arrogrant yet likeable, humble but not a wimp.

Anthony Hopkins as Odin - Wow. Think of this as compared to Marlon Brando as Superman's dad, Jor-El. Who would have thought they would do a comic book movie? Hopkins is completely believable as Odin. A few lines should have been rewritten (watch near the end for a "should haven't been deleted Hallmark Afterschool Special" scene), but he masters even the thinnest lines.

Natalie Portman as Jane Foster - She works as the generic attractive brunette. You might not mind that she's there, but a half dozen other actresses could have stepped in.

Tom Hiddleston as Loki - He fits it. Not so evil, but by no means good. His role is something that of the serpant in Eden. He is a tempter, liar and thief.

Stellan Skarsgård as Dr. Erik Selvig - Like Portman, he did a fine, yet unremarkable job as Foster's mentor.

To compare it to other superhero movies: Iron Man and the recent Batman movies are more sophisticated, but also darker and for older audiences. It misses the banter and emo-romance of Spiderman, and retro-cheesy fun of Superman. That's not a bad thing.

Search Amazon.com for Thor

Watch the first trailer for Thor, in theaters May 6, 2011.

http://thor.marvel.com
Directed by Kenneth Branagh, the epic adventure "Thor" spans the Marvel Universe from present day Earth to the realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.

Category: Trailers
Tags: Thor, Marvel, marvel studios, thor trailer, thor, movie, trailer, thor movie trailer, marvel movie, thor movie, marvelthor, Kenneth Branagh, Chris Hemsworth, Natalie Portman, official thor trailer, thor official trailer, thor trailer 2011

#22 Some Like It Hot

Some Like It Hot
Amazon.com essential video
Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behavior. The results, however, are sublime. --Robert Horton

Product Description
When Chicago musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) accidentally witness a gangland shooting, they quickly board a southbound train to Florida, disguised as Josephine and Daphne, the two newest and homeliest members of an all-girl jazz band. Their cover is perfect...until a lovelorn singer (Marilyn Monroe) falls for Josephine, an ancient playboy (Joe E. Brown) falls for Daphne, and a mob boss (George Raft) refuses to fall for their hoax! Nominated* for 6 Academy Awards(r), Some Like It Hot is the quintessential madcap farce and one of the greatest of all film comedies (The Motion Picture Guide). *1959: Director, Actor (Lemmon), Adapted Screenplay, Cinematography (B&W), Art Direction (B&W), Costume Design (B&W, winner)

#21 Chinatown

Chinatown (Special Collector's Edition)

Amazon.com essential video

Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne Hurley

#20 It's a Wonderful Life

It's a Wonderful Life
Amazon.com essential video

It's a Wonderful Life (60th Anniversary Edition)

Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton

Product Description
George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn’t been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide?

Tagline: A story as warm and moving as GOING MY WAY...but with brass knuckles!

Plot Outline An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Plot Synopsis: Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.

Amazon.com essential video
Marlon Brando's famous "I coulda been a contenda" speech is such a warhorse by now that a lot of people probably feel they've seen this picture already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's On the Waterfront is also one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J. Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute

#18 The General

The General

MASTERED FROM A 35MM ARCHIVE PRINT STRUCK FROM THE ORIGINAL CAMERA NEGATIVE

THE NUMBER 18 GREATEST FILM OF ALL TIME (AFI 100 YEARS... 100 MOVIES)

Consistently ranked among the greatest films ever made, Buster Keaton s THE GENERAL is so brilliantly conceived and executed that it continues to inspire awe and laughter with every viewing. This Kino Ultimate 2 Disc Edition was mastered in HD from a 35mm archive print struck from the original camera negative. Rejected by the Confederate army as unfit, and taken for a coward by his beloved Annabelle Lee (Marion Mack), young Johnny Gray (Keaton) is given a chance to redeem himself when Yankee spies steal his cherished locomotive. Johnny wages a one-man war against hijackers, an errant cannon and the unpredictable hand of fate while roaring along the iron rails. Every shot has the authenticity and the unassuming correct composition of a Mathew Brady Civil War photograph, wrote film historian David Robinson, No one not even Griffith or Huston and certainly not Fleming (Gone With the Wind) caught the visual aspect of the Civil War as Keaton did.

SPECIAL FEATURES:
- Three musical scores to choose from:
(1) Music composed and conducted by Carl Davis, performed by The Thames Silents Orchestra (in 5.1 Stereo Surround or 2.0 Stereo)
(2) Music arranged and directed by Robert Israel
(3) Theatre organ score by Lee Erwin
- A video tour of the authentic General, presented in association with The Southern Museum
- A tour of the filming locations, presented by John Bengtson, author of Silent Echoes
- Behind-the-scenes home movie footage
- Filmed introduction by Gloria Swanson
- Filmed introduction by Orson Welles
- The Buster Express, a brisk montage of train gags from throughout Keaton s career

Winners and Nominees for the 83rd Academy Awards (2011)

Search Amazon.com DVDs
Search Amazon.com Amazon Instant Videos

Winner is highlighted.

Actor in a Leading Role

Javier Bardem in “Biutiful”
Jeff Bridges in “True Grit”
Jesse Eisenberg in “The Social Network”
Colin Firth in “The King's Speech”
James Franco in “127 Hours”

Actor in a Supporting Role

Christian Bale in “The Fighter”
John Hawkes in “Winter's Bone”
Jeremy Renner in “The Town”
Mark Ruffalo in “The Kids Are All Right”
Geoffrey Rush in “The King's Speech”

Actress in a Leading Role

Annette Bening in “The Kids Are All Right”
Nicole Kidman in “Rabbit Hole”
Jennifer Lawrence in “Winter's Bone”
Natalie Portman in “Black Swan”
Michelle Williams in “Blue Valentine”

Actress in a Supporting Role

Amy Adams in “The Fighter”
Helena Bonham Carter in “The King's Speech”
Melissa Leo in “The Fighter”
Hailee Steinfeld in “True Grit”
Jacki Weaver in “Animal Kingdom”

Animated Feature Film

“How to Train Your Dragon” Chris Sanders and Dean DeBlois
“The Illusionist” Sylvain Chomet
“Toy Story 3” Lee Unkrich

Art Direction

“Alice in Wonderland”
Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
“Harry Potter and the Deathly Hallows Part 1”
Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
“Inception”
Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
“The King's Speech”
Production Design: Eve Stewart; Set Decoration: Judy Farr
“True Grit”
Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Cinematography

“Black Swan” Matthew Libatique
“Inception” Wally Pfister
“The King's Speech” Danny Cohen
“The Social Network” Jeff Cronenweth
“True Grit” Roger Deakins

Costume Design

“Alice in Wonderland” Colleen Atwood
“I Am Love” Antonella Cannarozzi
“The King's Speech” Jenny Beavan
“The Tempest” Sandy Powell
“True Grit” Mary Zophres

Directing

“Black Swan” Darren Aronofsky
“The Fighter” David O. Russell
“The King's Speech” Tom Hooper
“The Social Network” David Fincher
“True Grit” Joel Coen and Ethan Coen

Documentary (Feature)

“Exit through the Gift Shop” Banksy and Jaimie D'Cruz
“Gasland” Josh Fox and Trish Adlesic
“Inside Job” Charles Ferguson and Audrey Marrs
“Restrepo” Tim Hetherington and Sebastian Junger
“Waste Land” Lucy Walker and Angus Aynsley

Documentary (Short Subject)

“Killing in the Name” Jed Rothstein
“Poster Girl” Sara Nesson and Mitchell W. Block
“Strangers No More” Karen Goodman and Kirk Simon
“Sun Come Up” Jennifer Redfearn and Tim Metzger
“The Warriors of Qiugang” Ruby Yang and Thomas Lennon

Film Editing

“Black Swan” Andrew Weisblum
“The Fighter” Pamela Martin
“The King's Speech” Tariq Anwar
“127 Hours” Jon Harris
“The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film

“Biutiful” Mexico
“Dogtooth” Greece
“In a Better World” Denmark
“Incendies” Canada
“Outside the Law (Hors-la-loi)” Algeria

Makeup

“Barney's Version” Adrien Morot
“The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
“The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)

“How to Train Your Dragon” John Powell
“Inception” Hans Zimmer
“The King's Speech” Alexandre Desplat
“127 Hours” A.R. Rahman
“The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)

“Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
“If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
“We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Best Picture

“Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
“The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
“Inception” Emma Thomas and Christopher Nolan, Producers
“The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
“The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
“127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
“The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
“Toy Story 3” Darla K. Anderson, Producer
“True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
“Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers

Short Film (Animated)

“Day and Night” Teddy Newton
“The Gruffalo” Jakob Schuh and Max Lang
“Let's Pollute” Geefwee Boedoe
“The Lost Thing” Shaun Tan and Andrew Ruhemann
“Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Short Film (Live Action)

“The Confession” Tanel Toom
“The Crush” Michael Creagh
“God of Love” Luke Matheny
“Na Wewe” Ivan Goldschmidt
“Wish 143” Ian Barnes and Samantha Waite

Sound Editing

“Inception” Richard King
“Toy Story 3” Tom Myers and Michael Silvers
“Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
“True Grit” Skip Lievsay and Craig Berkey
“Unstoppable” Mark P. Stoeckinger

Sound Mixing

“Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
“The King's Speech” Paul Hamblin, Martin Jensen and John Midgley
“Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
“The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
“True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Visual Effects

“Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
“Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
“Hereafter” Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell
“Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
“Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Writing (Adapted Screenplay)

“127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
“The Social Network” Screenplay by Aaron Sorkin
“Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
“True Grit” Written for the screen by Joel Coen & Ethan Coen
“Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Writing (Original Screenplay)

“Another Year” Written by Mike Leigh
“The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
“Inception” Written by Christopher Nolan
“The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
“The King's Speech” Screenplay by David Seidler

#17 The Graduate

Amazon.com essential video

Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny, and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley

Product Description
Nominated* for seven Academy Awards® and winner for Best Director, this groundbreaking and "wildly hilarious" (The Boston Globe) social satire launched the career of two-time Oscar®-winner** Dustin Hoffman and cemented the reputation of acclaimed director Mike Nichols. Pulsating with the rebellious spirit of the '60s and a haunting score sung by Simon and Garfunkel, The Graduate is truly a "landmark film" (Leonard Maltin). Shy Benjamin Braddock (Dustin Hoffman) returns home from college with an uncertain future. Then the wife of his father's business partner, the sexy Mrs. Robinson (Anne Bancroft), seduces him, and the affair only deepens his confusion. That is, until he meets the girl of his dreams (Katharine Ross). But there's one problem: she's Mrs. Robinson's daughter!

*1967: Best Picture, Actor, Actress, Supporting Actress (Katharine Ross), Cinematography and Adapted Screenplay

**1988: Actor, Rain Man; 1979: Actor, Kramer vs. Kramer

The Graduate

#16 Sunset Boulevard

Sunset Boulevard (Special Collector's Edition)

Amazon.com essential video

Billy Wilder's noir-comic classic about death and decay in Hollywood remains as pungent as ever in its power to provoke shock, laughter, and gasps of astonishment. Joe Gillis (William Holden), a broke and cynical young screenwriter, is attempting to ditch a pair of repo men late one afternoon when he pulls off L.A.'s storied Sunset Boulevard and into the driveway of a seedy mansion belonging to Norma Desmond (Gloria Swanson), a forgotten silent movie luminary whose brilliant acting career withered with the coming of talkies. The demented old movie queen lives in the past, assisted by her devoted (but intimidating) butler, Max (played by Erich von Stroheim, the legendary director of Greed and Swanson's own lost epic, Queen Kelly). Norma dreams of making a comeback in a remake of Salome to be directed by her old colleague Cecil B. DeMille (as himself), and Joe becomes her literary and romantic gigolo. Sunset Blvd. is one of those great movies that has become a part of popular culture (the line "All right, Mr. DeMille, I'm ready for my close-up," has entered the language)--but it's no relic. Wow, does it ever hold up. --Jim Emerson

DVD features

Sunset Boulevard (Special Collector's Edition)

The highlights of the Sunset Boulevard DVD are a standout transfer and three 2002 documentaries. In "Sunset Boulevard: A Look Back" (26 min.), author Ed Sikov, actress Nancy Olson (who played Betty Schaefer), critic Andrew Sarris, and producer A.C. Lyles discuss the perfect cast, the alternate opening, and various anecdotes. "Edith Head: The Paramount Years" (13 min.) and "Franz Waxman and the Music of Sunset Boulevard" (14.5 min.) provide retrospectives on the legendary costume designer and composer. Sikov, the author of On Sunset Boulevard: The Life and Times of Billy Wilder, also provides a very informative if rather dry commentary track. Other features include a map spotlighting the Hollywood locations in the film, photo galleries, and two versions of the script for the original morgue opening, one of which is supplemented with silent footage cut from the picture. --David Horiuchi

#15 2001: A Space Odyssey

2001 - A Space Odyssey

Amazon.com essential video

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon

Product Description
2001: A Space Odyssey is a countdown to tomorrow, a road map to human destiny, a quest for the infinite. It is a dazzling, Academy Award-winning visual achievement, a compelling drama of man vs. machine, a stunning meld of music and motion. It may be the masterwork of director Stanley Kubrick (who co-wrote the screenplay with Arthur C. Clarke)... and it will likely excite, inspire and enthrall for generations.

To begin his voyage into the future, Kubrick visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever conceived) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted realms of space, perhaps even into immortality. "Open the pod bay doors, HAL." Let the awe and mystery of a journey unlike any other begin.

System Requirements:
Starring: Keir Dullea, and Gary Lockwood.
Directed By: Stanley Kubrick.
Running Time: 148 Min., Color.
This film is presented in "Widescreen" format.
Copyright 2000 Warner Home Video.

Format: DVD MOVIE

2001: A Space Odyssey [Blu-ray]

#14 Psycho

Amazon.com

At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. Psycho gets the masterpiece treatment it deserves on DVD, with extras including newsreel footage surrounding the making and release of the movie; an archive of production stills; the special trailer in which Hitchcock (acting as one of the original Universal Studio tour guides) himself leads viewers around the Bates place; credit designer Saul Bass's original "shower scene" story boards; posters and advertising materials for the movie's William Castle-like publicity campaign (No One Will Be Seated After the Feature Begins!); and a 90-minute documentary on the making of the film! What more could any movie fan possibly want? --Jim Emerson

Psycho (Collector's Edition)

#13 Star Wars

Star Wars Episode IV - A New Hope (1977 and 2004 Versions, 2-Disc Widescreen Edition)

Amazon.com
The 2006 limited-edition two-disc release of George Lucas's epic space fantasy Star Wars is not only the first time the movie has been officially available by itself on DVD. It marks the first-ever DVD release of Star Wars as it originally played in theaters in 1977. What does that mean exactly? Well, for starters, the initial title crawl proclaims that this is just Star Wars, not Episode IV, A New Hope. Second, the film is without the various "improvements" and enhancements Lucas added for the theatrical rerelease in 1997 as well as the DVD premiere in 2004. So no more critters and droids scurrying around the port of Mos Eisley when Luke and Obi-Wan Kenobi first arrive, no meetings between Han Solo and Jabba the Hut and between Luke and Biggs (extraneous scenes that were cut in 1977), no enhanced explosions during the final reel, and--most importantly to some fans--no more of Greedo shooting first in the bar. Instead Han is free to be the scoundrel and not even let Greedo squeeze off a shot.

What do you lose by watching the 1977 version? Dolby Digital 5.1 EX sound, for one thing (only 2.0 Surround here). Digital cleanup for another--Tatooine looks like it's been coated with an additional layer of sand cloud. But for home-theater owners, the biggest frustration will be from the non-anamorphic picture. On a widescreen TV, an anamorphically enhanced (16x9) picture at a 2.35:1 aspect ratio will fill the screen with the exception of small black bars on the top and bottom. The original edition of Star Wars, however, is not anamorphically enhanced (sometimes referred to as "4:3 letterbox"), so on a widescreen TV it will have large black bars on the top, the bottom, and the sides unless you stretch the picture (and distort it in the process, especially considering the substandard picture quality). If you're watching on a standard square-shaped (4:3) TV, though, you won't notice a difference.

Yes, it's true that serious home-theater lovers who want spectacular sound and anamorphically enhanced picture can always watch the 2004 version of the movie also included in this set. But chances are good that they already picked up the trilogy edition of all three films, so their decision to buy the 2006 two-disc edition depends on how much they want the original film. The official LucasFilm stance is that this is an individual release of the 2004 version of Star Wars: Episode IV, A New Hope, and the 1977 version of the film is merely a "bonus feature." Common speculation is that the only reason the original versions are seeing the official light of day at all is to undercut the booming black market for the laserdisc version. Star Wars fans will have to decide for themselves if that's worth the purchase. --David Horiuchi

Product Description
For the first time ever and for a limited time only, the enhanced versions of the Star Wars: Episode IV A New Hope, Star Wars: Episode V The Empire Strikes Back and Star Wars: Episode VI Return of the Jedi will be available individually on DVD. Plus, these 2-Disc DVD's will feature a bonus disc that includes, for the first time ever on DVD, the original films as seen in theaters in 1977, 1980 and 1983.

#12 The Searchers

The Searchers [Blu-ray]

Amazon.com essential video

A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon

Product Description

Working together for the 12th time, John Wayne and director John Ford forged The Searchers into a landmark Western offering an indelible image of the frontier and the men and women who challenged it. Wayne plays an ex-Confederate soldier seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his five-year search, he encounters something unexpected: his own humanity. Beautifully shot by Winton C. Hoch, thrillingly scored by Max Steiner and memorably acted by a wonderful ensemble including Jeffrey Hunter, Vera Miles, Natalie Wood and Ward Bond, The Searchers endures as "a great film of enormous scope and breathtaking physical beauty" (Danny Peary, Guide for the Film Fanatic).

DVD Features:

Audio Commentary:Commentary by Peter Bogdanovich

Documentaries:Behind the Cameras (4-parts): Meet Jeffrey Hunter, Monument Valley, Meet Natalie Wood, Setting Up Production

Documentary:The Searchers: An Appreciation

Featurette:A Turning of the Earth: John Ford, John Wayne, and the Searchers

Introduction:Intro by Patrick Wayne

Theatrical Trailer:Theatrical Trailer The Assassination of Jesse James by the Coward Robert Ford

#11 City Lights

City Lights (2 Disc Special Edition)

Amazon.com essential video
City Lights is a film to pick for the time capsule, a film that best represents the many aspects of director-writer-star Charlie Chaplin at the peak of his powers: Chaplin the actor, the sentimentalist, the knockabout clown, the ballet dancer, the athlete, the lover, the tragedian, the fool. It's all contained in Chaplin's simple story of a tramp who falls in love with a blind flower girl (Virginia Cherrill). Chaplin elevates the Victorian contrivances of the plot to something glorious with his inventive use of pantomime and his sure grasp of how the Tramp relates to the audience. In 1931, it was a gamble for Chaplin to stick with silence after talking pictures had killed off the art form that had made him famous, but audiences flocked to City Lights anyway. (Chaplin would not make his first full talking picture until 1940's The Great Dictator.) After all the superb comic sequences, the film culminates with one of the most moving scenes in the history of cinema, a luminous and heartbreaking fade-out that lifts the picture onto another plane. (Woody Allen paid homage to the scene at the end of Manhattan.) This is why the term "Chaplinesque" became a part of the language. --Robert Horton

Product Description
Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that's silent except for music and sound effects. The story, involving the Tramp's attempts to get money for an operation that will restore sight to a blind flower girl, provides the star with an ideal framework for sentiment and laughs. The Tramp is variously a street sweeper, a boxer, a rich poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind